Theatertherapie Literaturdatenbank

R. J. Landy, "The concept of role in drama therapy", The Arts in Psychotherapy, vol. 17, no. 3, pp. 223—230, 1990.

DOI: 10.1016/0197-4556(90)90005-B

Datei : http://www.sciencedirect.com/science/article/pii/019745569090005B

D. R. Johnson and V. Eicher, "The use of dramatic activities to facilitate dance therapy with adolescents", The Arts in Psychotherapy, vol. 17, no. 2, pp. 157—164, 1990.

DOI: 10.1016/0197-4556(90)90026-M

Datei : http://www.sciencedirect.com/science/article/pii/019745569090026M

L. A. Moffett and L. Bruto, "Therapeutic theatre with personality-disordered substance abusers: Characters in search of different characters", The Arts in Psychotherapy, vol. 17, no. 4, pp. 339—348, 1990.

DOI: 10.1016/0197-4556(90)90054-T

B. Mackay, "Drama therapy with female victims of assault", The Arts in Psychotherapy, vol. 16, no. 4, pp. 293—300, 1989.

DOI: 10.1016/0197-4556(89)90052-X

Datei : http://www.sciencedirect.com/science/article/pii/019745568990052X

S. O'Doherty, "Play and drama therapy with the Down's Syndrome child", The Arts in Psychotherapy, vol. 16, no. 3, pp. 171—178, 1989.

DOI: 10.1016/0197-4556(89)90020-8

Datei : http://www.sciencedirect.com/science/article/pii/0197455689900208

R. Emunah, "The use of dramatic enactment in the training of drama therapists", The Arts in Psychotherapy, vol. 16, no. 1, pp. 29—36, 1989.

DOI: 10.1016/0197-4556(89)90035-X

Datei : http://www.sciencedirect.com/science/article/pii/019745568990035X

G. J. Petitti, "Video as an externalizing object in drama therapy", The Arts in Psychotherapy, vol. 16, no. 2, pp. 121—125, 1989.

DOI: 10.1016/0197-4556(89)90009-9

Datei : http://www.sciencedirect.com/science/article/pii/0197455689900099

E. C. Irwin, "Arts therapy and healing", The Arts in Psychotherapy, vol. 15, no. 4, pp. 293—296, 1988.

DOI: 10.1016/0197-4556(88)90032-9

Datei : http://www.sciencedirect.com/science/article/pii/0197455688900329

P. Dunne, "Drama therapy techniques in one-to-one treatment with disturbed children and adolescents", The Arts in Psychotherapy, vol. 15, no. 2, pp. 139—149, 1988.

DOI: 10.1016/0197-4556(88)90021-4

Datei : http://www.sciencedirect.com/science/article/pii/0197455688900214

L. Furman, "Theatre as therapy: The distancing effect applied to audience", The Arts in Psychotherapy, vol. 15, no. 3, pp. 245—249, 1988.

DOI: 10.1016/0197-4556(88)90009-3

Datei : http://www.sciencedirect.com/science/article/pii/0197455688900093

B. Mackay, M. Gold and E. Gold, "A pilot study in drama therapy with adolescent girls who have been sexually abused", The Arts in Psychotherapy, vol. 14, no. 1, pp. 77—84, 1987.

DOI: 10.1016/0197-4556(87)90037-2

Datei : http://www.sciencedirect.com/science/article/pii/0197455687900372

E. C. Irwin, "Drama: The Play's the thing", Elementary School Guidance & Counseling, vol. 21, no. 4, pp. 276—283, 1987.

Datei : https://www.jstor.org/stable/42871243?seq=1

K. M. Wager, "Prevention programming in mental health: An issue for consideration by music and drama therapists", The Arts in Psychotherapy, vol. 14, no. 2, pp. 135—141, 1987.

DOI: 10.1016/0197-4556(87)90046-3

Datei : http://www.sciencedirect.com/science/article/pii/0197455687900463

R. J. Landy, "The creative arts therapy workshop as form and function", The Arts in Psychotherapy, vol. 14, no. 4, pp. 279—283, 1987.

DOI: 10.1016/0197-4556(87)90015-3

Datei : http://www.sciencedirect.com/science/article/pii/0197455687900153

D. R. Johnson, "The role of the creative arts therapies in the diagnosis and treatment of psychological trauma", The Arts in Psychotherapy, vol. 14, no. 1, pp. 7—13, 1987.

DOI: 10.1016/0197-4556(87)90030-X

Abstract:
Knowledge and interest in psychological trauma have been increasing rapidly in recent years. In this paper the author describes the major elements of trauma and its treatment, and then examines the reasons why the creative arts therapies may be a treatment of choice. The author also attempts to show how art therapy has a unique role in the early stages of treatment, and how drama therapy does in Iater stages.

B. Mackay, "Uncovering buried roles through face painting and storytelling", The Arts in Psychotherapy, vol. 14, no. 3, pp. 201—208, 1987.

DOI: 10.1016/0197-4556(87)90002-5

K. Bruscia, "A future together—The national coalition of arts therapy associations", The Arts in Psychotherapy, vol. 13, no. 2, pp. 95—100, 1986.

DOI: 10.1016/0197-4556(86)90016-X

Datei : http://www.sciencedirect.com/science/article/pii/019745568690016X

J. Goodrich and W. Goodrich, "Drama therapy with a learning disabled, personality disordered adolescent", The Arts in Psychotherapy, vol. 13, no. 4, pp. 285—291, 1986.

DOI: 10.1016/0197-4556(86)90029-8

Datei : http://www.sciencedirect.com/science/article/pii/0197455686900298

Abstract:
Presents a case study of the use of drama therapy for a socially isolated, immature, and chronically depressed 18-yr-old boy to illustrate the applicability of this therapy to adolescents with learning disabilities and personality disorders. The presenting problem; evaluation; and initial, middle, and termination phases of the therapy are described. Drama therapy allows complementary interplay among play, drama, and verbal exchanges. The dramatic component facilitates engagement, catharsis, and exploration of conflicts, while interpretive psychotherapy promotes insight into psychopathology, cognitive growth, and the perception of adaptation.

C. Burton, "Peekaboo to “all the all the outs in free??? hide-and-seek as a creative structure in drama therapy", The Arts in Psychotherapy, vol. 13, no. 2, pp. 129—136, 1986.

DOI: 10.1016/0197-4556(86)90020-1

Datei : http://www.sciencedirect.com/science/article/pii/0197455686900201

D. R. Johnson, "The developmental method in drama therapy: Group treatment with the elderly", The Arts in Psychotherapy, vol. 13, no. 1, pp. 17—33, 1986.

DOI: 10.1016/0197-4556(86)90005-5

R. Emunah, "Drama therapy and adolescent resistance", The Arts in Psychotherapy, vol. 12, no. 2, pp. 71—79, 1985. Brunner-Routledge.

DOI: 10.1016/0197-4556(85)90025-5

ISBN 9780415948456:

Datei : http://www.sciencedirect.com/science/article/pii/0197455685900255

D. R. Johnson, "Envisioning the link among the creative arts therapies", The Arts in Psychotherapy, vol. 12, no. 4, pp. 233—238, 1985.

DOI: 10.1016/0197-4556(85)90036-X

Datei : http://www.sciencedirect.com/science/article/pii/019745568590036X

R. J. Landy, "Conceptual and methodological issues of research in drama therapy", The Arts in Psychotherapy, vol. 11, no. 2, pp. 89—100, 1984.

DOI: 10.1016/0197-4556(84)90051-0

Datei : http://www.sciencedirect.com/science/article/pii/0197455684900510

D. R. Johnson, "Establishing the creative arts therapies as an independent profession", The Arts in Psychotherapy, vol. 11, no. 3, pp. 209—212, 1984.

DOI: 10.1016/0197-4556(84)90041-8

Datei : http://www.sciencedirect.com/science/article/pii/0197455684900418

D. R. Johnson, "Representation of the internal world in catatonic schizophrenia", Psychiatry, vol. 47, no. 4, pp. 299—314, 1984.

DOI: 10.1080/00332747.1984.11024251

Abstract:
Catatonia, which until 1874 was called atonic melancholia, has remained a relative mystery despite many advances in the understanding of schizophrenia. Its typical symptoms are certainly distinctive: a motionless stupor, bizarre posturing, waxen flexibility, religious delusions, stereotyped movements, negativism, loss of will, confusion, and recurrent frenzy (Kahlbaum 1874). The processes which motivate this particular derailment of self and body have been sought in various organic etiologies, with little success. Arieti (1974) proposes several reasons for the paucity of case studies of the treatment of catatonic schizophrenia. First, catatonic schizophrenia has been declining in occurrence. Second, the symptoms themselves, such as mutism and excitement, make verbal therapy extremely difficult. Finally, catatonics often have no memory of their psychotic experiences. Psychotherapists have therefore had to rely on highly personal intuitions of their patients' crisis-in-being. Despite therapists' attention to nonverbal behavior, mutism and stupor are particularly effective hindrances to communication in psychotherapy. Psychotherapy is often not begun until the patient's symptoms ameliorate through chemotherapy and milieu support. The centrality of the verbal medium of communication in psychotherapy suggests that other approaches, using nonverbal media, may be indicated in the study of catatonia. This paper describes a treatment of a catatonic schizophrenic man which utilized movement and drama therapy. These methods were successful in evoking representations of the patient's inner life.